Showing posts with label Dan Wells. Show all posts
Showing posts with label Dan Wells. Show all posts

Thursday, August 9, 2012

How NOT to Write a Query 6: Breakdown

On Tuesday, I broke Dan Wells' excellent book blurb on PARTIALS. This is about how.


First, let's look at my bad version again:


Sixteen-year-old Kira lives on Long Island with the tens of thousands of humans who survived the war with the partials—engineered organic beings identical to humans. The weaponized virus which destroyed the rest of humanity is still working: no baby has been born immune to the disease in over a decade. Desperate to find a cure, the government passed the Hope Act—which could soon force Kira to become pregnant . . . and watch a new child die every year to provide data for the scientists’ disease research.

Kira knows she's too young to start that, but she is determined to find a cure—and she’s willing to go to tremendous lengths to make that happen.

Before we move on to the good version, notice that this blurb suggests that Kira's main goal will be working to avoid being used as breeding stock for dead babies. We know that she's going to go to "tremendous lengths" to find a cure for the virus that makes that necessary, but we don't know if she's planning to dodge an unwanted pregnancy or if she's planning to reluctantly submit. What, exactly, are these tremendous lengths? Not a clue.

So let's look at the real blurb:

Humanity is all but extinguished after a war with partials—engineered organic beings identical to humans—has decimated the world’s population. Reduced to only tens of thousands by a weaponized virus to which only a fraction of humanity is immune, the survivors in North America have huddled together on Long Island. The threat of the partials is still imminent, but, worse, no baby has been born immune to the disease in over a decade. Humanity’s time is running out.

When sixteen-year-old Kira learns of her best friend’s pregnancy, she’s determined to find a solution. Then one rash decision forces Kira to flee her community with the unlikeliest of allies. As she tries desperately to save what is left of her race, she discovers that the survival of both humans and partials rests in her attempts to answer questions of the war’s origin that she never knew to ask.


[I left off the paragraph that talks about how awesome the book is--we don't get to write those things for our queries.]

So what's the difference? STAKES. The real blurb tells us clearly 1) What Kira wants (to save her friend's baby), 2) What stands in her way (the virus that will kill the baby), 3) What she's doing to get it (hint: she's not getting pregnant--she's off somewhere else looking for the cure), and 4) What happens if she fails (humanity won't be saved).

This is slightly different from How NOT to Write a Query 5,where I talked about not being vague and including specific details about your world and your plot. This time, we're focusing on the stakes--what the protagonist has to do and what will happen if s/he fails. That needs to be in there somewhere, folks. More, you need to give the agents some hint about what the protagonist will be doing about that. Because that's where the story is.

Setting isn't story. Premise isn't story. Character isn't story. Story is someone trying to get something, something standing in their way, and that person doing what it takes to overcome the obstacle to prevent something bad from happening.

I'm ashamed to confess that it took me a year to understand this. That I thought until very recently that my query didn't need all that. That the goal and the obstacle and what my MC would have to do to overcome it was a secret. That the potential consequence was the biggest secret of all. *sigh* Be wiser than I was, okay?

Specific details about the actual stakes faced by the protagonist can help make the book sound like something someone will want to read.

So go look at your query and make sure it says, suggests, or hints the following:
1. What does the main character want?
2. What stands in his way?
3. What will she have to do to get what she wants?
4. What, specifically, will happen if he fails?

Is it there? Has it always been there? If so, you're a year ahead of me.

What lessons have you learned while writing bad queries?

I'm planning another installment of this series for the first Tuesday of each month. If you'd like me to feature (read: rip apart without mercy) your own real query--either anonymously or with full credit and linkage--email me at robinweekswriter [at] gmail [dot] com.

Tuesday, August 7, 2012

How NOT to Write a Query 6

Time again for another round of:


If you're just joining us, this is a series where I explore all I know about queries . . . which mostly encompasses the mistakes I've made along the way.

This post explores something REALLY OBVIOUS that took me a year to learn. Seriously, I spent a year thinking my own query didn't need this. *head desk*

Once again, I've bastardized a book blurb of a really awesome book and turned it into something a novice query writer might write. Since this is Dan Wells's book, PARTIALS, and since Dan is not a novice query writer--and didn't have to query this book (quite the opposite)--my rewrite is the absolute worst this particular blurb has ever been. Probably. Also, I totally stole whole phrases from the real blurb while I was writing my screwed-up version.

In any event, if you haven't read this excellent book yet, please keep in mind that this is the bad version. Don't judge the book on the bad blurb. Come back Thursday for the real version.


Sixteen-year-old Kira lives on Long Island with the tens of thousands of humans who survived the war with the partials—engineered organic beings identical to humans. The weaponized virus which destroyed the rest of humanity is still working: no baby has been born immune to the disease in over a decade. Desperate to find a cure, the government passed the Hope Act—which could soon force Kira to become pregnant . . . and watch a new child die every year to provide data for the scientists’ disease research.

Kira knows she's too young to start that, but she is determined to find a cure—and she’s willing to go to tremendous lengths to make that happen.

---

So what do you think? If you haven't read the book, what do you think the main conflict is? If you have read the book, does this version of the blurb sound at all familiar? What's missing?

Breakdown coming on Thursday . . . .

Saturday, October 1, 2011

100 Posts! Recommendations for Everyone!


This is my 100thblog post!!!! Party!!! Confetti!! Cookies for everyone!

I haven’t posted for a week, because I just couldn’t think of anything cool enough to put in my 100thpost. How does one manage to choose such things?

I wanted to do a give-away, but, dang it, I’m poor, and can’t finance anything big enough. Maybe for my upcoming blog-i-versary.

So I decided to give you all a list of my 100 favorite books from the last three years. The ones I’d love to recommend to you—and frequently do recommend to those who ask. I’ve been logging my reading since April of 2008, so I had over 500 books to choose from. I went through and weeded out the ones I didn’t feel good about recommending. Those I couldn’t remember, or wasn’t all that impressed by. I also weeded out many that I really do love, but knew would get easily cut from the top 100. I was left with over 200. *Sigh*

Of the over 200 finalists, most were part of a series. If I were to list each series as a single entry instead of multiple entries, I’d be under 100. Bother.

So we’re left with the following categorized list of books I would like to recommend to you, depending on your tastes. There are many more amazing books out there that I’ve read in my life, including classics and more modern novels. These are just my favorites from the last three years—since I decided to become a novelist myself. Some I’ve broken down into series, and some I’ve listed by author. This is a long post, so feel free to skip forward to your favorite genre—or the genre you’d like to try out—and see what I’m recommending there. To help you decide where to start, I’ve listed my top choice first in each category. UPDATED to add pictures, so you know the cover to look for. :)

General disclaimer: not all of these books are PG-rated. If you prefer PG-rated books, proceed with caution, and feel free to contact me for specifics on each book. Everyone’s tastes and sensibilities are different: I promise not to judge you if you promise not to judge me. :)

Also, I was going to link to each author, but that’s too much work, so I’m linking to my top author in each category and trusting that you can get Google to help you find the rest.

YA Low / Urban Fantasy
These books take our world and add magic. This is my favorite category, so I’ve read a lot of books in it. Harry Potter isn’t listed only because I haven’t read him recently.

Top Recommendation: Everneath by Brodi Ashton –it comes out in January 2012, but I read an ARC a few weeks ago. You’re going to want it. Pre-Order it now. You’ll thank me later. My full-ish review will be up here on October 26th.








Other amazing books I’ve read recently in this category:
  1. Twilight series by Stephenie Meyer (yes, I still love the books)
  2. Mortal Instruments series by Cassandra Clare, beginning with City of Bones—and don’t forget the spin-off prequel series: The Infernal Devices
  3. Vampire Academy series by Richelle Mead
  4. Wings series by Aprilynne Pike
  5. My Fair Godmother series by Janette Rallison (with another UF series to come under the pen-name CJ Hill)
  6. The Dark Divine series by Bree Despain
  7. Artemis Fowl (thanks, Shelly) series by Eoin Colfer (I’ve only read the first, but it was very fun)
  8. Need series by Carrie Jones
  9. Faeriewalker series by Jenna Black, beginning with Glimmerglass
  10. Darkest Powers series by Kelley Armstrong, beginning with The Summoning
  11. Paranormalcy series by Kiersten White
  12. Wicked Lovely series by Melissa Marr
  13. The Graveyard Book by Neil Gaiman


YA / MG High Fantasy
These books are about a different world than ours, with magic and mystery.

Top recommendation: The Books of Bayern by Shannon Hale, beginning with The Goose Girl. While you’re at it, read her other fine, award-winning YA books (and her adult books). I love Shannon’s lyrical writing, and the way her characters lean on their friends to succeed. Also the romance. J







Other amazing books I’ve read recently in this category:
  1. Anything by Jessica Day George, especially Princess of the Midnight Ball (which is really about a boy)
  2. Graceling by Kristin Cashore
  3. The Glasswrights' Apprentice series by Mindy Klasky (though I haven’t finished it yet)
  4. Far World Series by J. Scott Savage, beginning with Water Keep
  5. The Shifter series by Janice Hardy
  6. The Black Magician Trilogy by Trudi Canavan, beginning with The Magician’s Guild


YA Dystopian      
Everybody’s utopia is someone else’s dystopia. I like to diss this category, but there are still lots of books I like in it.

Top Recommendation: Hunger Games series by Suzanne Collins. I’m not sure I’ll ever be brave enough read it again (or see the movie), but it’s a brutal, dazzling, and haunting ride. Definitely a must-read.








Other amazing books I’ve read recently in this category:
  1. The Maze Runner series by James Dashner (final book due out in 10 days!)
  2. Matched Ally Condie (book #2 is due out November 1)
  3. Uglies series by Scott Westerfeld (excluding Extras—I just couldn’t finish it)


YA Contemporary Romance
Our world, with romance and no magic. What’s not to love?

Top Recommendation: Any number of books by Janette Rallison. Especially try My Double Life and Just One Wish. Normal teenagers with mostly normal problems. Janette is quirky, profound, hilarious, and an all-around treat to read. (And she’s starting a new YA UF series under the pen name of CJ Hill!)







Other amazing books I’ve read recently in this category:
  1. Anna and the French Kiss by Stephanie Perkins (sooo looking forward to reading Lola, too!)
  2. Back When You Were Easier to Love by Emily Wing Smith
  3. The Princess Diaries series by Meg Cabot
  4. Sweethearts by Sara Zarr


Adult Low / Urban Fantasy
Our world, magic, few teenagers. “Adult” doesn’t mean X-rated, but some of them are a bit graphic—in blood and / or in sex. Know your sensibilities and choose wisely.

Top Recommendation: I have to go with Patricia Briggs. I’m so in love with her Mercy Thompsonseries (starting with Moon Called), I went back and read everything she’s ever written. You should, too. (Some of it is high fantasy.) Mercy Thompson also has a great spin-off series called Alpha and Omega. Read that, too.

Can’t-help-it Runner-up: Ilona Andrews, especially her Kate Daniels series, beginning with Magic Bites. There’s a bit of post-apocalyptic in this one, but it’s an amazing world and a wonderful what-if. Ilona (who is really a wife-husband writing team) also has a great UF series called The Edge—starting with On the Edge.







Other amazing books I’ve read recently in this category (and, really, I keep re-arranging the first 4):
  1. The Hallows series by Kim Harrison, beginning with Dead Witch Walking
  2. Women of the Otherworld series by Kelley Armstrong, beginning with Bitten.
  3. Jane Yellowrock series by Faith Hunter, beginning with Skinwalker
  4. The Night Huntress series by Jeaniene Frost, beginning with Halfway to the Grave
  5. Sookie Stackhouse series (the inspiration for TruBlood on HBO) by Charlaine Harris, beginning with Dead Until Dark
  6. Harper Connelley series by Charlaine Harris, beginning with Grave Sight
  7. Allie Beckstrom Series by Devon Monk, beginning with Magic to the Bone
  8. Undead series by MaryJanice Davidson, starting with Undead and Unwed (vampire chick-lit)
  9. The Walker Papers series by C.E. Murphy, beginning with Urban Shaman
  10. The Negotiator series by C.E. Murphy, beginning with Heart of Stone
  11. Broken Heart series by Michele Bardsley, beginning with I'm the Vampire, That's Why
  12. Girl's Guide to Witchcraft series by Mindy Klasky
  13. Stormwalker series by Allyson James


Adult High Fantasy
Think Lord of the Rings—which isn’t on the list only because I haven’t read it in the last three years

Top Recommendation: Anythingby Brandon Sanderson. The Mistborn series, Elantris, Warbreaker, The Way of Kings—all excellent, mind-blowing, and depressingly discouraging to a wanna-be like me. (One of my wanna-be friends threw Elantris across the room when he finished it because it was so good. How can we hope to measure up to that?) I’m even tempted to wade through the whole Wheel of Time series because Brandon is writing the end of it! (Also, Brandon is coming to Authors’ Advisory on October 5 to talk about Magic Systems!!)




Other amazing books I’ve read recently in this category:
  1. Kingkiller Chronicles by Patrick Rothfuss, beginning with The Name of the Wind (though, honestly, I’m waiting until the series is complete before I read past #1—three year lag times are a bit much for me)      
  2. Rogue Mage series by Faith Hunter, beginning with Bloodring
  3. The Tide Lords series by Jennifer Fallon, beginning with The Immortal Prince (sadly, I haven’t yet read the last book)
  4. Mad Kestral by Misty Massey


Steampunk (YA and Adult)
Take historical times and pretend they were as smart about science as they thought they were. Steam-powered gadgetry a must.

Top Recommendation: the Alexia Tarabotti series by Gail Carriger, beginning with Soulless. This is actually Victorian Fantasy Steampunk with a healthy dose of romance. Ever wonder how tiny little England took over the world? They had werewolves in their military, of course. And those strange Victorian fashions? Vampires. Absolutely hilarious books, with a YA spinoff in the works.

Close Runner-Up: Scott Westerfeld’s Leviathan series. A commoner girl pretending to be a boy falls in love with a royal boy who doesn’t know she’s a girl, while they ride around on a flying whale fighting elaborate machines in a rewritten version of World War I. The third book, Goliath, just came out, and I’m so excited to read it!!











Horror
Stephen King is the master at this. Take one relatable, mostly ordinary hero, pit him against something terrifying, and raise your reader’s pulse.

Top Recommendation: I Am Not a Serial Killer series by Dan Wells. #2 is Mr. Monster. #3 is I Don’t Want to Kill You. If the titles don’t convince you, they’re about John Wayne Cleaver, a 15-year-old diagnosed sociopath who is obsessed with serial killers… but doesn’t want to become one. He has rules to keep him from going down that path (i.e. No Stalking People)—and they’re working just fine until a serial killer comes to town. John decides he can stop him… he’ll just have to break some of his rules.




Other amazing books I’ve read recently in this category:
  1. The Odd Thomas series by Dean Koontz
  2. The Frankenstein series by Dean Koontz, beginning with Prodigal Son         
  3. By the Light of the Moon by Dean Koontz
  4. The Meridians (Ebook) by Michaelbrent Collings (who writes a lot like Dean Koontz) :)

           
Sci-Fi (Adult and YA) 
Playing with possibilities in scientific advancement, space travel, and alien life forms.

Top Recommendation: The Host by Stephenie Meyer. It’s simply amazing. The body-snatcher “Souls” are wonderfully kind and utterly perplexed about why these few “wild” humans are still resisting. The Souls unquestionably improve the societal structure on every planet they conquer. They eliminate poverty, sickness… and human consciousness—at least, until the Soul Wanderer takes over Melanie’s body. This heart-wrenching love story is told from Wanderer’s perspective, but is intimately woven with the perspective of the woman still hanging onto her mind—and her memories of a lost love.



Other amazing books I’ve read recently in this category:
  1. Across the Universe by Beth Revis (book two coming soon)
  2. Sirantha Jax series by Ann Aguirre, beginning with Grimspace


Adult Contemporary Romance
If you need an endorphin fix, a Happily-Ever-After, or just a reason to believe that things really can work out in the end, this is the genre for you. Unless you’re under 18 or squeamish about sex in novels. Then ask your parents first.

Top Recommendation: Anything by Robyn Carr. And not just because she’s my mentor. Her recent Grace Valley and Virgin River series about tiny towns nestled in gigantic mountains are the ultimate in comfort food. Beautiful women, manly men (mostly ex-marines), and (fictional) tight-knit communities so real you’ll be calling your realtor.






Other amazing books I’ve read recently in this category:
  1. Anything by Susan Elizabeth Phillips, especially What I Did For Love
  2. Anything by Jennifer Crusie, especially Bet Me, where the overweight girl still gets the hotty guy—and you’ll actually believe it!
  3. Almost anything by Loretta Chase, especially Lord of Scoundrels
  4. Traitor series by Sandra "my first-cousin Noreen" Grey (Though I haven’t read past the first book yet. Bad cousin. No cookie.)

           
Adult Contemporary
Present day. Not romance, not fantasy, not horror.

Top Recommendation: The Girl with the Dragon Tattoo series by Stieg Larsson. They can be disturbingly graphic, but if you’re not turned off by that sort of thing, the books are heart-pounding, gut-wrenching, and leave you rooting for the girl with weird hair, piercings, and tats. Who just happens to be a genius. And a hacker. And not half as incompetent as she’s been declared. And the toughest waif you’ll ever meet. It’s no wonder us Americans wanted our own set of films.





Other amazing books I’ve read recently in this category:
  1. Nadia Stafford series by Kelley Armstrong, beginning with Exit Strategy—female ex-cop hit-man… er woman
  2. Thursday Next series by Jasper Fforde, though I’ve only read the first one: The Eyre Affair

           
Writing Craft Books
Yeah, I really should read more of these. Most of my writing education lately has been from blogs, though, and blogs (as everybody knows) have excellent information on them. Still, these books are great, too. Even though I can’t pick a favorite.

On Writing (A Memoir of the Craft) by Stephen King—this is sort of a must-read for a genre writer. See King’s journey from dirt-poor scribbler to world-renowned author. Also, lots of solid (and some take-it-or-leave-it) advice on how to follow in his footsteps.













The Key: How to Write Damn Good Fiction Using the Power of Myth by James N. Frey—a wonderful description of the Hero’s Journey, the various characters, the steps along the way, and why readers love this structure again and again and again.


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Whew! You’re still here? You skipped, didn’t you? That’s okay. Come back whenever you’re wondering what to read next. :) I've specifically mentioned 77 books and/or series, so you should have enough to keep you busy for a while. 

So do our tastes match? Is your favorite missing? (If so, keep in mind that I might have read it over 3 years ago.) See any you want to try next? 

Finally, thanks so much to all my followers / readers / friends / family. Blogging wouldn't be half as much fun without you!

Friday, June 3, 2011

Poetry Chall-ANGE!

We interrupt this blog break to bring you... a poetry post.

Okay, so I'm trying to settle into a Tuesday-Saturday habit of blogging, but I'm home sick today and before my hubby locks me in my room for the day (he doesn't realize I have the laptop hahahahah!), I wanted to join a really cool poetry challenge, and invite you to join as well.

This challenge has been issued by Dan Wells, author of the I Am Not a Serial Killer series. I was reminded of this challenge today by his brother, Robison Wells, author of the upcoming YA dystopian VARIANT, who is also joining the challenge. Basically, if the Wells brothers can agree on something, we all have to join, right? Right. :)

So, from Dan's post, the rules are as follows:
Starting this week, and proceeding through the summer, we’re going to memorize one poem a week, that’s 12 poems. Want to join us? Here’s the rules:
1. It must be a poem you don’t already have fully memorized, but it’s okay if you already have some of it memorized.
2. You must recite the entire poem, out loud, from memory, for at least one other person, on Sunday. That gives you slightly less than a full week for the first one, so pick something easy.
3. There are no length restrictions, but if all your poems are little quatrains or tiny nursery rhymes you’re cheating in spirit. Throw a few multi-stanza poems in there; you can do it.
4. No William Carlos Williams allowed. There will be zero tolerance on this point.
5. Everything is done completely on the honors system. If you say you did it, we believe you.
I'm drawn to this challenge because, well, poetry is a lot like painting with words. I'm a lousy painter, and I don't often "get" what paintings are trying to say, but words are cool. I relate to them.

When I was younger and my brain was like a sponge, I memorized lengthy poems left and right. The Highwayman. The Raven. De Stove Pipe Hole. Yes, I love story poems. I'd memorize them for fun. I can still recite them (mostly) to this day. I'll have to do some searching to find 12 poems I want to add to my repertoire, but with millions of poems to choose from, I should be able to find something.

For my first short-week poem, I'm choosing Question by May Swenson. Yes, this is the poem at the front of Stephenie Meyer's THE HOST. I've half-heartedly tried to memorize it a few times already and now I'm gonna get it done. I love it. I love the idea that I'm hiding inside my body, which serves as my shelter, my transportation, and my way of sensing the world around me. I think I'll really miss my body after I die. Here's the text:

QUESTION
by May Swenson

Body my house
my horse my hound
what will I do
when you are fallen

Where will I sleep
How will I ride
What will I hunt

Where can I go
without my mount
all eager and quick
How will I know
in thicket ahead
is danger or treasure
when Body my good
bright dog is dead

How will it be
to lie in the sky
without roof or door
and wind for an eye

With cloud for shift
how will I hide?


So who'll join me? What poems draw you? Honestly, I think this is one challenge where we'll learn a LOT about each other. Once you understand a poem that someone else is drawn to, you understand a lot about that person. For instance, Dan appears to love the freedom of chaos, however brief, and Rob appears to appreciate being aware of the sad march toward death. As, apparently, do I. :)

Tuesday, March 29, 2011

Why David Farland is my hero

This time last year, I didn't have a writing group. I live in an area with few writers--and almost no genre writers (that I'm aware of). I knew intellectually that a group would be good, but had no idea how to start one. I tried to get a friend to be a two-person group with me, but, well, he was a bigger slacker than I was. Our group was a major failure.

Last April I attended LDStorymakers. In preparation, I researched the many authors who would be presenting at the conference, including David Farland. My research uncovered his Daily Kick, a regular email of writing and industry advice. Naturally, I signed up. (You should, too--it's awesome.)

At the conference, I got to introduce myself to David, and heard his advice on a couple of panels. He knows so much!

After the conference, I went home, determined to Finish. My. Book. But I still didn't have a group.

Round about September, the Daily Kick announced the opening of David Farland's Writer's Groups. Oh-ho! I said. Just what I need! And it was.

I now have the BEST writer's group ever, even though I've only met about half of them IRL. They give excellent advice, tear my work to shreds, and manage to be awfully encouraging all the while.

Also, through Farland's Writers' Groups, I've been given the incredible opportunity to interview bestselling, up-and-coming, and all-around-awesome authors through Farland's Authors' Advisory conference calls. I'm one of two hosts (with Mike Shaffer) and I'm having a blast. We are, to my knowledge (and there's a sad lot that I don't know) the only podcast that allows callers anywhere in the world to call in with their questions in a voice format.

If you don't have a writer's group, check out the groups at David Farland's Writer's Groups. If you enjoy attending writing conventions (or if you've never attended before, or if you can't attend as much as you like), check out the advice on Farland's Authors' Advisory. (Last week I interviewed Dan Wells!)

This week, on Wednesday, March 30, 2011 at 9:00 PM EDT, David Farland, himself, will return and will talk to us about How to Sell Your Novel. Mike is interviewing him, but I'll be there, pushing shiny buttons. :) If you have ever had a question about how to sell a novel (and who hasn't?), bring it with you and ask the master. We take caller questions throughout the calls, so don't be shy!

Complete call-in intructions are at the top of the Farland's Authors' Advisory blog.

Tuesday, March 22, 2011

How to Build a Better Villain

If you haven't yet read Dan Wells's books I AM NOT A SERIAL KILLER, MR. MONSTER, and I DON'T WANT TO KILL YOU--repent! (Okay, so I haven't read the last one--it isn't technically out in the US yet.) Not only are they spine-tingly fun, but they manage to accomplish the impossible: they make you love characters you would normally run screaming from.
In my day-job, I work closely with many of these "unlovable" types. These folks are often defined in society by the worst thing they've ever done. They cease to be husbands, mothers, brothers, and daughters, and become instead "rapists," "dealers," "robbers," and "murderers." Once that label is applied, it can be very, very difficult to convince ordinary citizens that there is still good in them. That their one (or two, or a dozen) horrible acts didn't eradicate the good people they can still become--and, often, still are. (Much like my chronic laziness, snap judgments, and occasional holier-than-thou complexes don't make me a horrible person.)

One of the hardest labels to overcome is that of "sociopath." Hardly anyone can come up with anything good to say about someone diagnosed as a sociopath. We think of them as knife-wielding bush-hiders, as suave serial rapists, and as slick salesmen who will take our grandmothers' fortunes with a wink and a smile and suffer nary a pang of conscience. They are as foreign to our experience as all our messy emotions are to them.

Until now.

In I AM NOT A SERIAL KILLER, John Wayne Cleaver, the protagonist of Dan Wells' books, is a diagnosed sociopath who is, inconveniently, named after two serial killers and a murder weapon (his father's name is Sam). He's also fifteen, lives in a mortuary with his mother, the mortician, knows everything there is to know about serial killers... and has decided NOT to become one. He has an elaborate system of rules in place to keep himself from following his more disturbing instincts (like "no stalking people"). He's bright enough to have seen his destiny and to have designed a way to thwart it. He is intelligent, humorous, and as loving as a sociopath can be (more than you'd expect, not enough to satisfy his mother).

Then, as in all good stories with this sort of set-up, a serial killer starts killing people in John's town. John decides that, as the ultimate serial killer profiler, he has the best chance of anyone at catching the killer unscathed. He's right... and wrong. To catch the killer, John must break his own rules (like "no stalking people") and consequently grapples with the monster inside himself, who likes being out of his box.The killer's identity (discovered rather shockingly about halfway through the novel) is a surprise not just because of what he is, or who he is, but because, like all good villains, he is the perfect foil for the hero. Who is, as I've mentioned, a sociopath.

Most shocking (which is saying something about a book that opens with a graphic account of a particularly messy embalming) is how utterly lovable the killer is. The killer, in fact, understands love, compassion, and devotion much, much more than John ever will. This operates to make the reader not quite sure who to root for--and creates an ending that has a sad sort of triumph.

I've been crushing on John Cleaver since April of last year, when, out of all the books at the LDS Storymakers conference I wanted, I AM NOT A SERIAL KILLER was the one I decided I couldn't live without. I was SOOO right.

Dan Wells accomplished what so many authors try--and fail--to do: he created a fully-rounded antagonist. An antagonist whose admittedly evil actions were nevertheless understandable. An antagonist who could have been the hero of a different sort of story--a hero whose actions we might have regretted, but whose goal we can't help but support.

How did he do that? I'm pleased to announce that I will be interviewing Dan tomorrow night for David Farland's Authors' Advisory Conference Calls. Our topic will be (you guessed it): Monsters, Sociopaths, and Other Sympathetic Characters. For a full hour, we will pick his brain on how we can make our villains slightly less stereotypically (read: boringly) villainous. How we can remember--and help our readers remember--that our villains are also sons and daughters, parents and siblings, friends and neighbors. Please join us, bring your questions, and learn about writing villains from the master. Full call-in instructions are on the Authors' Advisory blog.

Update: Dan's call was awesome (no surprise) and the recording is now available here.

Saturday, January 22, 2011

How Twitter is Cooler than High School

I have recently discovered the joys of Twitter. I know, I know, it's been around for a while, but I've always assumed it was more of a time-waster than an actual, like, tool and stuff.  Well, I was right and wrong. Twitter is a time-waster. I can sit for hours watching it... but that's because of all the cool writerly people who are tweeting.

The other night I was fascinated by an interchange between Dan Wells (@johncleaver) and Howard Tayler (@HowardTayler)--they were done writing for the day and needed to blow off some steam. Being LDS, they didn't head to the bar: they scheduled an evening of board games and popcorn. Through Twitter. (Like they don't have each other's direct phone numbers? Ever hear of texting? Or, well, talking on the phone?) Entertainment at its finest, folks. In the midst of this, Aprilynne Pike (@AprilynnePike) did what I really wanted to do and popped in to say she wished she lived closer so she could join in the fun. Me too, me too!!

Last week, Shannon Hale (@haleshannon) noticed that Logan, Utah's libraries are constantly checking out her books, so she blogged about it, promising to visit them--and to drag two other locally popular authors--James Dashner (@jamesdashner) and Jessica Day George (@JessDayGeorge) along with her. Then she called James and Jessica out on Twitter--and soon had replies from both, promising to go. Am I the only one with a sudden desire to visit Logan later this year?

I'm new, like I said, so I'm not following very many people yet (88 right now), and even fewer are following me (18), but #therearesomanycoolpeoplethere!!! I got the thrill of my Twitter experience when Gail Carriger (@gailcarriger) started following me this week. ME! Gail Carriger! And she was completely gracious when I went all fangirl on her and even agreed to do a conference call for Farland's Authors' Advisory!!! (June 1st--read her books now, if you haven't: they're awesome!)

Watching all this fun, I can't help but feel a little like I'm in high school again (where I was far from popular), watching the cool kids hang out, plan fun parties and road trips, and generally flaunt their coolness. Oh, how I wanted to be included! I had my own friends and we had a good time, but, well, that looked like fun, too. Now, rather than just sitting back and dreaming about inclusion, I have an actual goal to become one of the cool kids. I want Shannon Hale to invite me to go on road trips with her. I want Dan Wells to issue an open invitation to his house for popcorn and board games (and the scones they've been tweeting so much about) the next time I'm in town. I want these awesome writers to know my name and to think of me as #oneofus.

Because I want to BE one of them. I want to be a bestselling YA fantasy author. There: I said it. AND I want to be friends with all the other cool authors--because, let's face it, they're really, really cool. How do I know? I stalk them on Twitter, of course... which encourages me to read their blogs... which encourages me to read their books... which only makes me want to know them more. Lather, rinse, repeat. See? Twitter works.

Now I'm going to get going on my editing so I can someday invite them all to my book launch party....