Showing posts with label Poetry Summer. Show all posts
Showing posts with label Poetry Summer. Show all posts

Sunday, August 7, 2011

Poetry Summer Week 11: You'll Love Me Yet by Robert Browning

Sonnet 130 is lots of fun--I saw it performed (rather amateurishly) while I was in high school, and I've liked it ever since.

I've quite run out of poems I know that I want to memorize, so I appealed to my friend JD for timely IM help. He had lots of great suggestions, but I finally settled on You'll Love Me Yet by Robert Browning. It's written by a man, but I like to read it with an eye toward a writer wanting to get published. I've read a lot of posts lately on the power of perseverance in this business. If we keep writing (so everyone says), we'll eventually see success.

Hopefully it will come before death.



You'll Love Me Yet
by Robert Browning

YOU'LL love me yet!—and I can tarry 
Your love's protracted growing: 
June rear'd that bunch of flowers you carry, 
From seeds of April's sowing. 

I plant a heartful now: some seed 
At least is sure to strike, 
And yield—what you'll not pluck indeed, 
Not love, but, may be, like. 

You'll look at least on love's remains, 
A grave 's one violet:
Your look?—that pays a thousand pains. 
What 's death? You'll love me yet!


What do you think? Is everyone right about persistence?

Sunday, July 31, 2011

Poetry Summer Week 10: Shakespeare's Sonnet CXXX

Well, last week was easy, and, since I'm running out of ideas for poems to memorize, I've decided to follow Dan's theme for this week and memorize a Shakespearean sonnet.

This is one of the fun sonnets, very tongue-in-cheek. It talks about a mistress, but I like to compare it to my WIP. Try it. Substitute "novel" or "characters" for "mistress" as you read.

Sonnet CXXX
My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damask'd, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground:
And yet, by heaven, I think my love as rare
As any she belied with false compare.
It's not easy to take a step back and realize your novel isn't perfect, but you can love the poor flawed thing, anyway, right?

What do you do when your WIP isn't perfect? Do you abandon it? Edit it again?

Sunday, July 24, 2011

Poetry Summer Week 9: Listen to the MUSTN'TS by Shel Silverstein

I had so much fun with Sick, I thought I'd do another Silverstein poem this week. I saw it last week while I was searching for Sick and, you'll have to agree, it's perfect for a writer. Everyone tells you that getting published is like winning the lottery, as far as odds of success goes. (Also that you can't win if you don't play.) Planning a career as an author? Fugedaboutit. But what if that's what I REALLY want? Plenty of bestselling authors started out as nobodies and look at them now! It can happen. If it was impossible, no one would do it.


Listen to the MUSTN'TS
by Shel Silverstein

Listen to the MUSTN'TS, child,

Listen to the DON'TS

Listen to the SHOULDN'TS

The IMPOSSIBLES, the WON'TS

Listen to the NEVER HAVES

Then listen close to me--

Anything can happen, child,

ANYTHING can be.

So what impossible things do YOU have on your to-do list?

Sunday, July 17, 2011

Poetry Summer Week 8: Sick by Shel Silverstein

Boy, I'm posting a lot lately--that's what I get for signing up for so many things that require it!

Is anyone else noticing that memorization is getting a LOT easier? I just memorized and passed off Do Not Go Gentle Into That Good Night in about 30 minutes. Of  course, it has a lot of repetition, and who knows if I'll still have it in my head tomorrow, but I'm duly impressed with myself regardless.

This week's poem is departing (slightly) from the recent theme of death and gloom by talking about faking a sickness to get out of Things We Don't Want to Do. No, I don't empathize with Peggy Ann McKay. I've never recited the first few lines of this poem on particularly harried mornings. Why do you ask?


Sick      
by Shel Silverstein

"I cannot go to school today,"
Said little Peggy Ann McKay.
"I have the measles and the mumps,
A gash, a rash and purple bumps.
My mouth is wet, my throat is dry,
I'm going blind in my right eye.
My tonsils are as big as rocks,
I've counted sixteen chicken pox
And there's one more--that's seventeen,
And don't you think my face looks green?
My leg is cut--my eyes are blue--
It might be instamatic flu.
I cough and sneeze and gasp and choke,
I'm sure that my left leg is broke--
My hip hurts when I move my chin,
My belly button's caving in,
My back is wrenched, my ankle's sprained,
My 'pendix pains each time it rains.
My nose is cold, my toes are numb.
I have a sliver in my thumb.
My neck is stiff, my voice is weak,
I hardly whisper when I speak.
My tongue is filling up my mouth,
I think my hair is falling out.
My elbow's bent, my spine ain't straight,
My temperature is one-o-eight.
My brain is shrunk, I cannot hear,
There is a hole inside my ear.
I have a hangnail, and my heart is--what?
What's that? What's that you say?
You say today is. . .Saturday?
G'bye, I'm going out to play!"

Chime on in--Peggy Ann is a very strange child/person, no? None of us responsible adults would ever do anything like this, right?

Sunday, July 10, 2011

Poetry Summer Week 7: Do Not Go Gentle Into That Good Night


My boys enjoyed The Charge of the Light Brigade. There was fighting and dying in it, so they were quite pleased. They made me do it twice so I could get it word-perfect.

This week's poem is about fighting death, about struggling to stay in this life for as long as possible. I come from a long line of long-lived people, so I plan to hang out here for quite some time. Still, there are lots of different kinds of death. Hope can die. Resolve can die. Goodness can die. We should fight not just to stay alive, but to live as well as we can. To do the most good we can while we're here.


DO NOT GO GENTLE INTO THAT GOOD NIGHT

by Dylan Thomas

Do not go gentle into that good night,
Old age should burn and rage at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
So I seem to be doing a lot of poems about death, dying, mayhem, and sorrow. I tried to think of a different poem for this week, but couldn't. I'd appreciate some suggestions for happy, insightful poems for future weeks, k? Anyone?

Sunday, July 3, 2011

Poetry Summer Week 6: The Charge of the Light Brigade

My 10-year-old son had a lot of trouble with the phonetic spelling of the French pronunciation of English words in De Stove Pipe Hole, but he was able to catch the times when what I said didn't seem to match up with what he was reading. He did a good job. So did I. :)

This week I am turning down Dan Wells' sub-challenge to memorize The Love Song of J. Alfred Prufrock. With all due respect to the poetry masterpiece and to those who understand and like it, I've tried to read it several times now and got bored. If I don't like it enough to read it, I'm a-never gonna be able to memorize it. Sad but true. Besides, I'm using this poetry summer to memorize those poems that speak to me--mostly those which have spoken to me for years. Prufrock doesn't. Sorry, Dan.

The Charge of the Light Brigade, however, contains several lines that I've quoted over the years in conversation. Most particularly, the line "Theirs not to make reply, / Theirs not to reason why, / Theirs but to do & die" strike me as poignant. So many times we are called upon to do things we don't understand, with orders handed down by people who can't fully appreciate our individual circumstances. There is a virtue in being a good soldier in many instances, but blind obedience is always scary. This is one of the reasons I'd rather be issuing orders than taking commands.

This poem is not about the Revolutionary War, but I suspect that war in general suffers from many similar moments of blunder and tragedy. Therefore, in honor of America's fight for independence so long ago, on the eve of Independence Day, I present The Charge of the Light Brigade.


The Charge Of The Light Brigade
by Alfred, Lord Tennyson
Memorializing Events in the Battle of Balaclava, October 25, 1854
Written 1854

Half a league half a league, 
Half a league onward,
 
All in the valley of Death
 
Rode the six hundred:
 
'Forward, the Light Brigade!
 
Charge for the guns' he said:
 
Into the valley of Death
 
Rode the six hundred.
 

'Forward, the Light Brigade!'
 
Was there a man dismay'd ?
 
Not tho' the soldier knew
 
Some one had blunder'd:
 
Theirs not to make reply,
 
Theirs not to reason why,
 
Theirs but to do & die,
 
Into the valley of Death
 
Rode the six hundred.
 

Cannon to right of them,
 
Cannon to left of them,
 
Cannon in front of them
 
Volley'd & thunder'd;
 
Storm'd at with shot and shell,
 
Boldly they rode and well,
 
Into the jaws of Death,
 
Into the mouth of Hell
 
Rode the six hundred.
 

Flash'd all their sabres bare,
 
Flash'd as they turn'd in air
 
Sabring the gunners there,
 
Charging an army while
 
All the world wonder'd:
 
Plunged in the battery-smoke
 
Right thro' the line they broke;
 
Cossack & Russian
 
Reel'd from the sabre-stroke,
Shatter'd & sunder'd.
 
Then they rode back, but not
 
Not the six hundred.
 

Cannon to right of them,
 
Cannon to left of them,
 
Cannon behind them
 
Volley'd and thunder'd;
 
Storm'd at with shot and shell,
 
While horse & hero fell,
 
They that had fought so well
 
Came thro' the jaws of Death,
 
Back from the mouth of Hell,
 
All that was left of them,
 
Left of six hundred.
 

When can their glory fade?
 
O the wild charge they made!
 
All the world wonder'd.
 
Honour the charge they made!
 
Honour the Light Brigade,
 
Noble six hundred!


Anyone else have issues with being good little soldiers?

Check out the #PoetrySummer hastag on Twitter to see who else is playing.

Sunday, June 26, 2011

Poetry Summer Week 5: De Stove Pipe Hole

Made my husband listen to me pass of Success is Counted Sweetest. Only missed two words. Fixed em. Moving on. :)

Last night at my husband’s family reunion, we had a talent show. My son and two of his cousins (a time or two removed) sang the song at the end of Monsters, Inc and I’ve Been Watching You by Rodney Atkins. My in-laws roped me and my sister-in-law into singing a primary song (Where is Heaven), which we sang about 5 minutes after scanning the words, struggling to remember the tune, and singing a verse or two quietly to ourselves. One of Jerry’s adult cousins did a “skit” which consisted of a game of 20 questions preceded by the hint “two sisters both died in unique ways. Name the movie.” After a few unhelpful questions, a 10-year-old cousin chimed in with “The Wizard of Oz!” And thus ended the talent show.

So what does this have to do with poetry?

Me, Grandpa LeRoy's portrait,
my son, whose middle name is LeRoy,
and my mother, who passed
the theatre bug to me
Talent shows at my own family reunions (not that we really ever have them anymore, dang it) ALWAYS included my mother’s father in a rendition of De Stove Pipe Hole. My grandpa met my grandma when he directed a play she was in, and grandpa had a life-long love of the theatre that culminated in several years of annual community theatre performances of Scrooge in A Christmas Carol. Which I mention only to emphasize how dang entertaining his Da Stove Pipe Hole was. There were no indulgent smiles. No courtesy laughter or perfunctory applause. Grandpa was a hit, every time. At his funeral a few years ago, one of my cousins ably recited it in his honor, proving that I wasn’t the only grandchild to memorize it.

I, of course, memorized it years before he passed. He’d leant me a copy of the book it was in (this is pre-internet) and, though I ultimately lost the book, I memorized the poem first. My first (sophomore) year of high school, I used it to audition for the fall play. The piece was a lot longer than your average audition piece, but the drama teacher let me do the whole thing so she could see if it was long enough to enter into the upcoming drama competition. I’d never heard of such a thing, but I was happy to enter, and did very, very well. An obsession was born. Or, well, kept alive anyway.

So last night after Jerry’s family talent show, I was feeling a bit guilty. (Or was it limelight-deprived?) I considered offering to recite one of the poems I’d memorized for this challenge, but the most entertaining one, The Bells, really isn’t always a crowd pleaser. I could see people’s eyes glazing over. I could hear the perfunctory applause. I didn’t want it. So I started thinking about Da Stove Pipe Hole. I decided to see how much of it I could remember, in case I wanted to offer to perform around the campfire. I ran into some memory snags. I jumped on the super-slow internet (yay internet!) to refresh my memory and discovered there was more I hadn’t even remembered was IN there!

So that’s what I’m [re-]memorizing this week. I want Da Stove Pipe Hole firmly in my memory. I want to be able to whip it out for whatever talent show might happen along my way. I want to be able to entertain at the drop of a hat. I wonder if it would be appropriate for future book-signings. Yanno, in case I actually get published someday and no one wants to hear me talk about my book. :)

With that long introduction, here’s the long poem, which, if done properly, includes the explanation that a stove pipe is a long wide pipe that extends from the top of a wood-burning stove and carries the smoke out of the house. These pipes would often have to be cleaned, and would be removed for the purpose. This would leave a hole through several levels of the house:

De Stove Pipe Hole
by William Henry Drummond

Dat's very cole an' stormy night on Village St. Mathieu,
W'en ev'ry wan he's go couché, an' dog was quiet, too--
Young Dominique is start heem out see Emmeline Gourdon,
Was leevin' on her fader's place, Maxime de Forgeron.

Poor Dominique he's lak dat girl, an' love her mos' de tam,
An' she was mak' de promise--sure--some day she be his famme,
But she have worse ole fader dat's never on de worl',
Was swear onless he's riche lak diable, no feller's get hees girl.

He's mak' it plaintee fuss about hees daughter Emmeline,
Dat's mebbe nice girl, too, but den, Mon Dieu, she's not de queen!
An' w'en de young man's come aroun' for spark it on de door,
An' hear de ole man swear 'Bapteme!' he's never come no more.

Young Dominique he's sam' de res',--was scare for ole Maxime,
He don't lak risk hese'f too moche for chances seein' heem,
Dat's only stormy night he come, so dark you cannot see,
An dat's de reason w'y also, he's climb de gallerie.

De girl she's waitin' dere for heem--don't care about de rain,
So glad for see young Dominique he's comin' back again,
Dey bote forget de ole Maxime, an' mak de embrasser
An affer dey was finish dat, poor Dominique is say--

'Good-bye, dear Emmeline, good-bye; I'm goin' very soon,
For you I got no better chance, dan feller on de moon--
It's all de fault your fader, too, dat I be go away,
He's got no use for me at all--I see dat ev'ry day.

'He's never meet me on de road but he is say 'Sapré!'
An' if he ketch me on de house I'm scare he's killin' me,
So I mus' lef' ole St. Mathieu, for work on 'noder place,
An' till I mak de beeg for-tune, you never see ma face.'

Den Emmeline say 'Dominique, ma love you'll alway be
An' if you kiss me two, t'ree tam I'll not tole noboddy--
But prenez garde ma fader, please, I know he's gettin ole--
All sam' he offen walk de house upon de stockin' sole.

'Good-bye, good-bye, cher Dominique! I know you will be true,
I don't want no riche feller me, ma heart she go wit' you.'
Dat's very quick he's kiss her den, before de fader come,
But don't get too moche pleasurement--so 'fraid de ole Bonhomme.

Wall! jus' about dey're half way t'roo wit all dat love beez-nesse
Emmeline say, 'Dominique, w'at for you're scare lak all de res?
Don't see mese'f moche danger now de ole man come aroun','
W'en minute affer dat, dere's noise, lak' house she's fallin' down.

Den Emmeline she holler 'Fire! will no wan come for me?'
An Dominique is jomp so high, near bus' de gallerie,--
'Help! help! right off,' somebody shout, 'I'm killin' on ma place,
It's all de fault ma daughter, too, dat girl she's ma disgrace.'

He's kip it up long tam lak dat, but not hard tellin' now,
W'at's all de noise upon de house--who's kick heem up de row?
It seem Bonhomme was sneak aroun' upon de stockin' sole,
An' firs' t'ing den de ole man walk right t'roo de stove pipe hole.

W'en Dominique is see heem dere, wit' wan leg hang below,
An' 'noder leg straight out above, he's glad for ketch heem so--
De ole man can't do not'ing, den, but swear and ax for w'y
Noboddy tak' heem out dat hole before he's comin' die.

Den Dominique he spik lak dis, 'Mon cher M'sieur Gourdon
I'm not riche city feller, me, I'm only habitant,
But I was love more I can tole your daughter Emmeline,
An' if I marry on dat girl, Bagosh! she's lak de Queen.

'I want you mak de promise now, before it's come too late,
An' I mus' tole you dis also, dere's not moche tam for wait.
Your foot she's hangin' down so low, I'm 'fraid she ketch de cole,
Wall! if you give me Emmeline, I pull you out de hole.'

Dat mak' de ole man swear more hard he never swear before,
An' wit' de foot he's got above, he's kick it on de floor,
'Non, non,' he say 'Sapré tonnerre! she never marry you,
An' if you don't look out you get de jail on St. Mathieu.'

'Correc',' young Dominique is say, 'mebbe de jail's tight place,
But you got wan small corner, too, I see it on de face,
So if you don't lak geev de girl on wan poor habitant,
Dat's be mese'f, I say, Bonsoir, mon cher M'sieur Gourdon.'

'Come back, come back,' Maxime is shout--I promise you de girl,
I never see no wan lak you--no never on de worl'!
It's not de nice trick you was play on man dat's gettin' ole,
But do jus' w'at you lak, so long you pull me out de hole.'

'Hooraw! Hooraw!' Den Dominique is pull heem out tout suite
An' Emmeline she's helpin' too for place heem on de feet,
An' affer dat de ole man's tak' de young peep down de stair,
W'ere he is go couchè right off, an' dey go on parloir.

Nex' Sunday morning dey was call by M'sieur le Curé
Get marry soon, an' ole Maxime geev Emmeline away;
Den affer dat dey settle down lak habitant is do,
An' have de mos' fine familee on Village St. Mathieu.


Pretty cool, huh?

I'd like to challenge all the #PoetryChallenge participants to memorize at least one poem that would serve them well in a talent show. Something with an exciting story, humor, and that requires a bit of flair. Yes, I'd be happy to coach your delivery when you're ready. (If we're ever in the same city.) So who's with me? 

Anyone else have good family reunion talent show memories?

Sunday, June 19, 2011

Poetry Summer Week 4: Success is Counted Sweetest

IF was the perfect poem to pass off on Father's Day, and it was fun to recite it for my sons (even if I'm not the daddy).

This week's poem comes from a comment on my last poem: Meredith Mansfield suggested this one as a great one for writers. I agreed, so I had to memorize it. :) It's also a great poem for anyone who has failed at something when it was essential to succeed. Failure happens. We can't appreciate victory without it.


Success is Counted Sweetest
Emily Dickinson

Success is counted sweetest
By those who ne'er succeed.
To comprehend a nectar
Requires sorest need.

Not one of all the purple host
Who took the flag to-day
Can tell the definition,
So clear, of victory!

As he, defeated, dying,
On whose forbidden ear
The distant strains of triumph
Burst agonized and clear!


This concept, of course, also applies to our fictional characters. Their victory will be meaningless if they haven't tried and failed to reach it several times before they succeed.

Sunday, June 12, 2011

Poetry Summer Week 3: IF by Rudyard Kipling

I love The Bells. It is an awesome poem and fun, fun, fun, fun, fun, fun, fun, fun to say. My husband thinks it's much too long, but, really, once you have it memorized, it goes pretty fast. Lovely rhythm. Passed it off and I'm moving on (though I'll probably be back, just to make sure it's all still in there).

This week, I'm going with Rudyard Kipling's If. I know this is a poem about a father's advice to his son, but I've always thought that it was wonderful advice for anyone--especially writers. And, besides, I have three sons, and I want to have the excuse to recite it for them. :)

So here it is:














If
by Rudyard Kipling

If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or, being lied about, don't deal in lies,
Or, being hated, don't give way to hating,
And yet don't look too good, nor talk too wise;

If you can dream - and not make dreams your master;
If you can think - and not make thoughts your aim;
If you can meet with triumph and disaster
And treat those two imposters just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to broken,
And stoop and build 'em up with wornout tools;

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breath a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on";

If you can talk with crowds and keep your virtue,
Or walk with kings - nor lose the common touch;
If neither foes nor loving friends can hurt you;
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run -
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man my son!



If you're interested in who's playing, check out the Twitter hashtag #PoetrySummer. Though, really, it seems like I'm tweeting about it a lot more than everyone else.... :P If you're playing (and, really, everyone should), come tweet with us! :)

Sunday, June 5, 2011

Poetry Challenge Week 2: The Bells, by Edgar Allen Poe

I'm all flushed with victory after passing off THE QUESTION to my son just now, so I'm going to take a stab at a rather longer poem this week. I can't find it, but I read somewhere recently that this poem is good for teaching us how to create a driving rhythm in our own writing--the kind that just won't let the reader put it down.

Deep breath....  

The Bells
Edgar Allen Poe

I
Hear the sledges with the bells-
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells-
From the jingling and the tinkling of the bells.

II
Hear the mellow wedding bells,
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight!
From the molten-golden notes,
And all in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the Future! how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells,
Of the bells, bells, bells,bells,
Bells, bells, bells-
To the rhyming and the chiming of the bells!

III
Hear the loud alarum bells-
Brazen bells!
What a tale of terror, now, their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire,
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor,
Now- now to sit or never,
By the side of the pale-faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of Despair!
How they clang, and clash, and roar!
What a horror they outpour
On the bosom of the palpitating air!
Yet the ear it fully knows,
By the twanging,
And the clanging,
How the danger ebbs and flows:
Yet the ear distinctly tells,
In the jangling,
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells-
Of the bells-
Of the bells, bells, bells,bells,
Bells, bells, bells-
In the clamor and the clangor of the bells!

IV
Hear the tolling of the bells-
Iron Bells!
What a world of solemn thought their monody compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
Is a groan.
And the people- ah, the people-
They that dwell up in the steeple,
All Alone
And who, tolling, tolling, tolling,
In that muffled monotone,
Feel a glory in so rolling
On the human heart a stone-
They are neither man nor woman-
They are neither brute nor human-
They are Ghouls:
And their king it is who tolls;
And he rolls, rolls, rolls,
Rolls
A paean from the bells!
And his merry bosom swells
With the paean of the bells!
And he dances, and he yells;
Keeping time, time, time,
In a sort of Runic rhyme,
To the paean of the bells-
Of the bells:
Keeping time, time, time,
In a sort of Runic rhyme,
To the throbbing of the bells-
Of the bells, bells, bells-
To the sobbing of the bells;
Keeping time, time, time,
As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells-
Of the bells, bells, bells:
To the tolling of the bells,
Of the bells, bells, bells, bells-
Bells, bells, bells-
To the moaning and the groaning of the bells.

Wish me luck!